From TODD WALTON
Under The Table
“The curious paradox is that when I accept myself just as I am, then I can change.” Carl Rogers
We recently saw a French film made in 2008, Summer Hours, written and directed by Olivier Assayas and recommended to us by Louis Bedrock, the writer and translator. A beautifully made film set in present-day France, I immediately loved the sights and sounds, but found I was not connecting emotionally with the characters. About twenty minutes into the film, my lack of emotional connection with anyone in the movie almost made me stop watching, but then I surrendered to the flow of imagery and the unfolding story.
By the end of the movie, I was glad I’d watched the entirety, though I couldn’t elucidate why I was glad. I never came to care much about the individual people in the movie, but I could identify with what they were going through—the swift evolution of culture from one generation to the next.
The next day, I found myself remembering many of the scenes from Summer Hours and admiring how this tapestry of key moments in the lives of three siblings captures the reality of our modern era—the cultural paradigms defining French society and French art obliterated by new global and technological realities.
Two days after seeing the movie, I was at work on my latest novel, re-reading pages writ over the last few days, and came to the following reminiscence of one of my characters.