From TODD WALTON
Under The Table
One of my hobbies in these days of societal collapse—most of us in denial about how far the fungus of cultural disintegration has progressed—is watching trailers for recently made movies, American and foreign, and from the totality of these filmic synopses spotting trends revealing what our overlords want us to see and think and feel. My hobby is made easy by the iTunes Movie Trailers page presenting the latest trailers for blockbusters as well as medium and low-budget films.
To gain a place on the iTunes trailers page, a film must have some sort of distribution deal, which means someone in the movie biz (likely an idiot) thinks there is money to be made from that movie. This means thousands of new films are not exposed on the iTunes trailers page, and for the purposes of my hobby that makes no difference. I do not watch trailers for horror films, vengeful slaughter films, movies about Nazis, or movies starring famous people who cannot act, but I do take note of those films for the purposes of pondering the national gestalt, so to speak. These trailers of horror, slaughter, Nazis, and the talentless add up to well over half the movies released to the public. By avoiding them I only have to watch a handful of trailers each week, which takes but a few minutes of my time.