
From BRETT & KATE McKAY
The Art of Manliness
[...] Whatever the reason, cognitive studies are beginning to show that men might be short-shrifting themselves by avoiding the fiction section in the bookstore and library. Today we make the case for why you need to put down those business books every once in awhile and pick up a copy of Hemingway.
Why Men Should Read More Fiction
In the past decade, several cognitive scientists have turned their attention to how fiction affects our minds. Leading this research is cognitive psychologist and fiction writer, Dr. Keith Oatley. Dr. Oatley and other researchers from around the globe have discovered that fiction not only activates, but also improves the cognitive functions that allow us to thrive socially.
Dr. Oatley argues in his book Such Stuff as Dreams: The Psychology of Fiction that fiction is primarily about “selves in a social world,” and that fiction’s main subject is “what people are up to with each other.” Just as your understanding of history and finance is improved by reading lots of books on those subjects, reading fiction improves your understanding of social relationships–your thinking about what other people are thinking. In fact, Dr. Oatley calls fiction a simulation for the social world that allows you to experience (at least vicariously) a variety of social circumstances with different kinds of people than you might encounter in your actual day-to-day life…
Unfortunately, men have gotten the short end of the evolutionary stick when it comes to our ability to socialize. Studies show that male brains are generally wired for dealing with stuff, while female brains are generally wired for dealing with people. This may explain why women often prefer fiction over non-fiction: their brains are already wired to want to read More…










































Farther Away: Essays by Jonathan Franzen: From Franzen, a collection of essays and speeches written primarily in the last five years. The title essay generated considerable attention when it appeared in The New Yorker in April. In it, Franzen told of his escape to a remote, uninhabited island in the South Pacific following the suicide of his friend David Foster Wallace. Two pieces in the collection—“On Autobiographic Fiction” and “Comma-Then”—have never been published before. Others focus on environmental devastation in China, bird poachers in Cyprus, and the way technology has changed the way people express intimate feelings to each other. (Kevin)
Immobility by Brian Evenson: Genre-bender Evenson (Fugue State, Contagion) returns with an inventive mystery centering around a brilliant detective wasting away from an incurable disease and, consequently, frozen in suspended animation for years. Thawed out by a mysterious man, he must solve an important case 
















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