From DAVID KAMP
If you’re a latecomer to the Stieg Larsson phenomenon, here, briefly, is the deal: Larsson was a Swedish journalist who edited a magazine called Expo, which was devoted to exposing racist and extremist organizations in his nativeland. In his spare time, he worked on a trilogy of crime thrillers, delivering them to his Swedish publisher in 2004. In November of that year, a few months before the first of these novels came out, he died of a heart attack. He was only 50, and he never got to see his books become enormous best sellers — first in Sweden and then, in translation, all over the globe.
“The Girl Who Kicked the Hornet’s Nest” is the third installment of the trilogy; its predecessors, “The Girl With the Dragon Tattoo” and “The Girl Who Played With Fire,” have already sold a million copies combined in the United States and many times that abroad. All three books are centered on two principal characters: a fearless middle-aged journalist named Mikael Blomkvist, who publishes an Expo-like magazine called Millennium, and a slight, sullen, socially maladjusted, tech-savvy young goth named Lisbeth Salander, the “girl” of the books’ titles, who, in addition to her dragon tattoo, possesses extraordinary hacking abilities and a twisted, complicated past. Together, Blomkvist and Salander use their wiles and skills to take on corporate corruptos, government sleazes and sex criminals, not to mention these miscreants’ attendant hired goons…